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59th Carnegie International tests the limits of connection and inclusion – The Art Newspaper

May 18, 2026
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Minimal wage within the state of Pennsylvania is $7.25 an hour. Which means to go to the Carnegie Museum of Artwork as a non-member, a Pittsburgh native could must spend the equal of greater than 3 hours of labor. Although this doesn’t low cost the spirit of collaboration inside the 59th Carnegie Worldwide, titled If the phrase we, it is a vital little bit of context for the questions underlying the exhibition. The ethos of this version is all about group, with curators Ryan Inouye, Danielle A. Jackson and Liz Park framing it by means of collaboration with “thought companions” just like the Egyptian author Haytham el-Wardany—from whom the title of the present is borrowed.

“One of many dimensions is ‘we’ as an area of listening,” Park mentioned in her introductory remarks on the Worldwide’s opening. “Not seeing, not talking, simply listening. All of us take part within the creation of that means once we interact with the exhibition collectively.”

If the phrase we is a extra expansive and bold iteration of the Worldwide compared to 2022’s Is it morning for you but? which, whereas deeply thought-provoking, veered into inaccessible headiness at occasions. Is it morning for you but? explored the sources of division. If the phrase we explores the sources of connection.

Set up view of Georges Adéagbo’s Le Socialisme Africain (2001–04, model 2026) Photograph: Zachary Riggleman / © Carnegie Museum of Artwork, Pittsburgh

This yr’s Worldwide is extremely tactile and creates extra intimate areas in room-size installations that make the museum’s huge areas really feel cozier. Shala Miller’s Flight permits guests to put down on a sloped bean bag and watch video above them in a darkish room (echoing the immersive character of sure Pipilotti Rist installations). Jasleen Kaur’s Supra creates a carpeted room the place gentle by means of false home windows mimics daylight. If the phrase we conjures areas that invite viewers to remain awhile. And it will possibly really feel like strolling by means of a dreamlike maze.

For a room that includes assemblages of objects titled Le Socialisme Africain, the Benin-born artist Georges Adéagbo went to thrift shops in Pittsburgh and picked up issues like a kitschy “household guidelines” signal, a portray of African politicians, an April Fools’ Day version of a neighborhood college newspaper and a “horrible towel”—a bright-yellow fabric that followers of town’s NFL franchise, the Steelers, wave throughout American soccer video games.

There’s something ridiculously self-referential about seeing items of campy Pittsburgh sports activities merchandise on show within the museum, however that dissonance will get on the core of If the phrase we. Museums can not at all times concurrently be bastions of the best tradition and accessible group areas. They will do each, however not at all times equally. Neighborhood and collaboration require a trade-off. Artwork must each uplift viewers and problem them intellectually. It wants to fulfill them the place they’re with out insulting their intelligence. Le Socialisme Africain speaks to that rigidity.

Set up view of works by Claudia Martínez Garay and Arturo Kameya on the Mattress Manufacturing facility Photograph: Zachary Riggleman / © Carnegie Museum of Artwork and Mattress Manufacturing facility, Pittsburgh

RJ Messineo’s vibrant abstractions and Reina Sugihara’s foreboding canvases supply some two-dimensional, painterly respiration room. There may be much less surprising or haunting work on this iteration than in 2022. It might profit the exhibition to push a bit more durable at occasions and current viewers with one thing as visceral as I Gusti Ayu Kadek Murniasih’s grotesquely surreal depictions of the physique from the prior version. Moderately than be confronted, possibly museum guests in 2026 wish to be enveloped by immersive artwork areas that masks a world that feels overwhelming.

If the phrase we expands past the museum with offsite programming on the Mattress Manufacturing facility, Youngsters’s Museum of Pittsburgh, Kamin Science Middle and Thelma Lovette YMCA. Essentially the most placing of the offsite exhibitions is of works by Arturo Kameya and Claudia Martínez Garay on the Mattress Manufacturing facility, the place the 2 artists have taken up a complete annex. Jackson, the only real exhibition curator not on workers on the Carnegie, was on the helm of together with Kameya and Garay. “I particularly wished to work with the Mattress Manufacturing facility, as a result of it’s not a amassing establishment,” she says. The result’s a real merger of the 2 artists’ practices, the place Garay’s two-dimensional work lives inside Kameya’s installations.

At its finest, the Carnegie Worldwide expands viewers’ minds and decentres the US and Europe on the earth of up to date artwork, a curatorial outlook that resonates with Koyo Kouoh’s central exhibition on the Venice Biennale. If the phrase we asks powerful questions of its viewers, notably these from the artwork world and the skilled museum sphere. There may be additionally a second of self-effacing humour within the exhibition with the comedian artist Walter Scott’s large diorama studying: “REALITY HAS LESS TO DO WITH ME THAN I THOUGHT.”

Set up view of Walter Scott’s REALITY HAS LESS TO DO WITH ME THAN I THOUGHT (2026) Photograph: Zachary Riggleman / Carnegie Museum of Artwork, Pittsburgh

That line may maintain the important thing to the entire Worldwide this yr. It asks whether or not artmaking, a essentially solitary pursuit, can actually be the muse for a group. A museum isn’t going to be a road artwork pageant or an artist-run organisation. However how can museums be higher locations not only for friends however for the individuals who serve espresso at their cafés, clear their flooring and watch over their galleries?

Silät—a collective of 100 girls weavers in Salta, Argentina, led by Claudia Alarcôn—is the purest expression of If the phrase we’s themes. There’s something genuinely shifting about trying on the weaving and understanding that that is collaboration. Not logos on a wall or seats at board conferences, however somewhat working collectively along with your arms to create one thing imperfect.

If the phrase we, 59th Carnegie Worldwide, Carnegie Museum of Artwork, Pittsburgh, till 3 January 2027



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