Van Gogh’s Parisian Novels would be the main lot within the Pritzker sale at Sotheby’s, New York on 20 November. Estimated at $40m, it’s more likely to obtain the very best worth for a portray from the artist’s Paris interval. The current document is $33.2m for Nook of a Backyard with Butterflies (Could-July 1887), which offered at Christie’s final yr.
Van Gogh’s Parisian Novels within the library of the Chicago condominium of the Pritzkers
Sotheby’s
The Van Gogh nonetheless life has been consigned by the property of Cindy Pritzker, who died in March, aged 101. Her late husband, Jay Pritzker, constructed up the Hyatt Inns chain and died in 1999. Cindy, who was president of the Chicago Public Library board, had a ardour for literature. This added to her enthusiasm for Parisian Novels, which depicts 22 books casually strewn throughout a desk, together with a glass with three pink roses. The couple hung their Van Gogh within the library of their Chicago condominium.
Sotheby’s is to public sale Parisian Novels together with 36 different Pritzker works on 20 November. The others, estimated at $120m, embody work by Paul Gauguin and Henri Matisse.
Parisian Novels (November-December 1887) was painted when Vincent was residing together with his brother Theo within the French capital. The striped wallpaper on the left of the composition, and the obvious chair-back and door on the appropriate, suggests a room. Related wallpaper seems in two different nonetheless lifes (certainly one of a basket of lemons and the opposite of a pot of garlic chives), so the setting is more than likely a specific room—presumably in Theo’s condominium in Rue Lepic.
A lot of the books have yellow covers, suggesting that they’re fashionable novels printed by Charpentier in Paris (an 1888 exhibition assessment talked about the portray, however with the title Volumes Charpentier). Van Gogh was a voracious reader, notably having fun with the fiction of Emile Zola and the Goncourt brothers, each of whom have been printed by Charpentier.

Emile Zola’s L’Oeuvre, printed by Georges Charpentier (1886), with its yellow cowl. Van Gogh described being left “touched” by the novel, which is about an artist
The book-laden desk with one open quantity and the room setting suggests the presence of a reader, presumably the artist himself. Van Gogh noticed little distinction between artists and writers, believing that one may convey feelings both via paint or phrases.
Shortly earlier than portray Parisian Novels, Van Gogh made a preparatory image, a smaller and less complicated composition than the Pritzker work. This earlier piece, titled Piles of French Novels, is now on the Van Gogh Museum in Amsterdam.

Van Gogh’s Piles of French Novels (October-November 1887)
Van Gogh Museum, Amsterdam (Vincent van Gogh Basis)
The Scottish artist Archibald Hartrick, a good friend of Van Gogh’s in Paris, recalled seeing Parisian Novels on an easel in Theo’s condominium, when the paint was most likely nonetheless moist. Hartrick later described it as “the primary of a collection of yellow photos”; he was presumably considering of the Sunflowers (August 1888).
Parisian Novels was among the many three work which have been the primary to be publicly exhibited throughout Van Gogh’s lifetime, on the Société des Artistes Indépendants in March 1888. As Vincent instructed Theo: “I feel it’s an excellent concept that you simply put the books within the Indépendants too. This [oil] research needs to be given the title: ‘Parisian novels’.” It didn’t promote.
A couple of years after Van Gogh’s loss of life Parisian Novels was purchased by the Italian artist Antonio Mancini. It then handed to a Swiss assortment and was ultimately offered at Christie’s in 1988, when it fetched simply over £7m, a considerable sum at the moment. The portray was acquired by Robert Holmes à Courtroom, a South African-born Australian property developer.
The Pritzkers purchased Parisian Novels in 1994. They subsequently lent it to 2 Van Gogh exhibitions, at London’s Royal Academy of Arts (2010) and the Artwork Institute of Chicago (2016). Cindy was a significant supporter of the Chicago gallery, funding its Pritzker Wing in 2009.
With an estimate of $40m, Parisian Novels would possibly now simply make it into the highest ten costliest Van Goghs offered at public sale (till now all these have been post-Paris works, that are most wanted). To succeed in these dizzy heights, it might want to succeed in $52m, to beat Fields close to Les Alpilles (November 1889).
Earlier than the November New York public sale, Parisian Novels will probably be proven in Abu Dhabi, on the Bassam Freiha Artwork Basis (1-2 October), after which at Sotheby’s in London (9-16 October), Paris (20-24 October) and New York (8-20 November).
A backyard sketch not seen for a century

Van Gogh’s Public Backyard with Benches (April 1888)
Photograph: The Artwork Newspaper
Together with the Van Gogh portray, the Pritzkers additionally owned a drawing, Public Backyard with Benches (April 1888), which they purchased in 1979. Additionally it is arising within the Sotheby’s sale, estimated at $2.5m-$3.5m.
The sketch exhibits the general public backyard in Place Lamartine, simply outdoors the Yellow Home in Arles. The home was Van Gogh’s house from September 1888 to March 1889, his fellow artist Paul Gauguin staying with him there for 2 months .
Public Backyard with Benches was despatched to Theo, most likely on the very day that Van Gogh signed the lease for the Yellow Home, on 1 Could 1888. Devoid of individuals, the sketch contains 4 benches, however is dominated by the timber and bushes.
It’s tempting to suppose that the decrease constructing simply seen within the background would possibly symbolize the Yellow Home (in that case, the smoking chimney could be on a taller constructing simply past). 4 days after taking over the lease Vincent wrote with pleasure to Theo: “The pleasant factor about this studio is the gardens reverse.”
When Public Backyard with Benches goes on show at Sotheby’s in New York, it will likely be the primary time it has been exhibited since 1910.
Martin Bailey is a number one Van Gogh specialist and particular correspondent for The Artwork Newspaper. He has curated exhibitions on the Barbican Artwork Gallery, Compton Verney/Nationwide Gallery of Scotland and Tate Britain.

Martin Bailey’s latest Van Gogh books
Martin has written quite a lot of bestselling books on Van Gogh’s years in France: The Sunflowers Are Mine: The Story of Van Gogh’s Masterpiece (Frances Lincoln 2013, UK and US), Studio of the South: Van Gogh in Provence (Frances Lincoln 2016, UK and US), Starry Night time: Van Gogh on the Asylum (White Lion Publishing 2018, UK and US) and Van Gogh’s Finale: Auvers and the Artist’s Rise to Fame (Frances Lincoln 2021, UK and US). The Sunflowers are Mine (2024, UK and US) and Van Gogh’s Finale (2024, UK and US) are additionally now obtainable in a extra compact paperback format.
His different latest books embody Dwelling with Vincent van Gogh: The Houses & Landscapes that formed the Artist (White Lion Publishing 2019, UK and US), which supplies an outline of the artist’s life. The Illustrated Provence Letters of Van Gogh has been reissued (Batsford 2021, UK and US). My Buddy Van Gogh/Emile Bernard supplies the primary English translation of Bernard’s writings on Van Gogh (David Zwirner Books 2023, UKand US).
To contact Martin Bailey, please e mail vangogh@theartnewspaper.com
Please notice that he doesn’t undertake authentications.
Discover all of Martin’s adventures with Van Gogh right here








