The Los Angeles County Museum of Artwork (Lacma) began permitting guests inside its sprawling new constructing, the David Geffen Galleries, for previews late final week earlier than the ending touches are utilized, artwork is put in and it formally opens in April 2026. Round 2,000 museum members and friends visited on Friday (27 June), winding by means of its serpentine however spacious concrete inside, casting silhouette shadows throughout polished flooring. For the event, the musician Kamasi Washington invited 100 jazz musicians, organised into ten completely different sections and clustered in corners all through the house, all taking part in one composition in what he referred to as a “sonic preview”.
The elevated, amoeboid concrete construction, designed by the Swiss, Pritzker Prize-winning architect Peter Zumthor, stretches over Wilshire Boulevard. Its important, second flooring options 110,000 sq. ft of gallery house, with presently open-plan walkways lined with floor-to-ceiling home windows, flooding the house with pure mild on all sides. At floor stage, the constructing will maintain a 300-seat theatre, schooling areas, eating places, a retailer and house for back-of-house capabilities.
The outside of the David Geffen Galleries at Lacma, seen from East West Financial institution Commons trying southeast towards Wilshire Boulevard, with Tony Smith’s Smoke (1967) in foreground Picture © Iwan Baan
On Friday (27 June), every ensemble performed the six-part jazz suite Concord of Distinction. With out artwork, the brand new constructing felt like a hole cave of poured-in-place concrete and glass. The cacophony of saxophones, voices and strings washed over the crowds of holiday makers, generally mixing harmoniously, different occasions clashing violently relying on one’s place within the museum.
Maybe among the best views from the Geffen Galleries’ second flooring is of adjoining Japanese Pavilion, with its natural mid-century and Southeast Asian-influenced design. Designed by Bruce Goff (a disciple of Frank Lloyd Wright) and inaugurated in 1988, it was spared from demolition within the push to clear house for the brand new constructing. One other boon: Tony Smith’s large sculpture Smoke (1967) was liberated from its longstanding placement within the Ahmanson Constructing atrium and has been positioned in a cement courtyard close to the foot of the brand new Geffen Galleries’ staircase. (Ultimately, a flowering Jeff Koons sculpture will even take root close to the brand new constructing.)
Lengthy and winding street to lengthy and winding constructing

Aerial view of Lacma’s campus, together with the David Geffen Galleries, in context of Miracle Mile Picture © Iwan Baan
The Geffen Galleries constructing embodies the priorities of its architect, Zumthor, and the museum’s director and chief govt, Michael Govan: to redefine the museum expertise whereas additionally addressing sensible, monetary and curatorial considerations. The constructing’s present price ticket is $720m, whereas Lacma has raised greater than $800m as a part of its wider “Constructing Lacma” capital marketing campaign.
The sophisticated, pandemic-lengthened course of to increase and rework Lacma’s campus has spanned virtually the complete twenty first century—an early design competitors was held in 2001. In that point two different buildings—the Broad Modern Artwork Museum and the Resnick Pavilion, each designed by Renzo Piano Constructing Workshop—have opened, and public works by Chris Burden and Michael Heizer have been put in, in addition to facilities like a parking storage, restaurant and extra.

The David Geffen Galleries at Lacma; exhibition-level terrace and courtyard galleries Picture © Iwan Baan
Even amid all of the campus upgrades, and the development of the Renzo Piano-designed Academy Museum of Movement Photos that opened next-door within the intervening years, few museum constructing tasks have drawn as a lot scrutiny at each stage of planning and building because the Geffen Galleries. 4 buildings—the Leo S. Bing Middle and the Ahmanson, Hammer and Artwork of the Americas buildings—had been demolished to create space for the brand new constructing. Scrapping a lot of Lacma’s campus was necessitated, museum representatives stated, by expensive leaks and lack of earthquake-proofing. Nonetheless the demolitions earned the ire of preservation-minded followers of these constructions, spawning coalitions just like the Lacma Lovers League, Save Lacma and the Residents’ Brigade to Save Lacma. The latter group even launched a design competitors soliciting options to Zumthor’s plan.
Whereas the brand new constructing’s second flooring, in its state as an unfinished, concrete shell, solely options round a dozen discrete areas, a museum reality sheet states it can finally be divided into a minimum of 90 galleries. How precisely these areas will probably be organised is among the questions that stay forward of the ultimate stage of building. It’s also unclear how the artwork hanging within the Geffen Galleries will probably be shielded from the danger of sunshine publicity through the constructing’s floor-to-ceiling home windows—a reality sheet offered by the museum mentions “inside galleries sheltered utterly from daylight”. I personally fear concerning the toes and backs of so many museum guards who will apparently stand on arduous concrete flooring for the lengths of their shifts. Such particulars and considerations, and the way they’re finally addressed when the finished Geffen Galleries open subsequent spring, will go a great distance in figuring out the constructing’s success.

The David Geffen Galleries at Lacma, view from exhibition stage northwest with Michael Heizer’s Levitated Mass (2012) in background Picture © Iwan Baan
Previews of the David Geffen Galleries, for museum members and NexGenLA members, proceed till 7 July