The J. Paul Getty Museum in Los Angeles has acquired A Ingesting and Musical Occasion (round 1619-20), a raucous style portray by the famend Caravaggisti, Bartolomeo Manfredi (1582-1622). The portray goes on view in the present day (23 April) within the Getty Middle’s East Pavilion.
Manfredi was so uniquely profitable among the many followers of Caravaggio at conjuring the grasp’s type that, till Manfredi’s rediscovery by students within the twentieth century, A Ingesting and Musical Occasion was attributed to Caravaggio. The portray’s dramatically lit tavern scene options 4 elegantly dressed younger males seated round a desk consuming and ingesting, and one in all them performs a lute; within the background, two servants cheekily assist themselves to wine and meals, whereas a 3rd refills the glass of one of many seated males. The composition is wealthy with particulars, from the knife and scraps of meals on the desk to 1 sitter’s sword very shut at hand and the nice textures of the boys’s garments.
“Though Manfredi was not correctly a pupil of Caravaggio, his strikingly lifelike depictions of style scenes crucially contributed to the European success of the Caravaggesque motion,” Davide Gasparotto, the senior curator of work on the Getty, stated in an announcement. “Since its reappearance in 1976, A Ingesting and Musical Occasion has been thought-about one in all Manfredi’s best work.”
The portray was featured prominently within the exhibition Past Caravaggio (2016-17) on the Nationwide Gallery in London. Although the Getty’s acquisition announcement states that the portray comes “from a personal collector”, two years in the past it was a part of a bunch of Outdated Masters provided at Christie’s in New York from the holdings of the Chilean collectors Alvaro Saieh and Ana Guzmán, collectively often called the Alana Assortment. Forward of the June 2022 public sale, Christie’s had given Manfredi’s portray an estimate of $4m to $6m, however the work doesn’t seem to have offered.
In line with the Getty’s digital assortment, it has acquired two works from the Alana Assortment: Agnolo Bronzino’s Virgin and Youngster with Saint Elizabeth and Saint John the Baptist (round 1540-45) and the polychromed marble pair The Annunciation (round 1333-34) by Giovanni di Balduccio.
The Manfredi is a major addition to the Getty’s assortment of Caravaggisti work, which already consists of Valentin de Boulogne’s Christ and the Adulteress (round 1618-22), Bartolomeo Cavarozzi’s The Supper at Emmaus (round 1615-25) and Gerrit van Honthorst’s Christ Topped with Thorns (round 1620). That is the museum’s second main portray acquisition this month: it not too long ago turned the primary museum within the US to accumulate a portray by Sophie Frémiet, a pupil of Jacques-Louis David.
