Spearheaded by the Montreal-born abstractionist Jean-Paul Riopelle, with serving to palms from his mentor, Paul-Émile Borduas and fellow Canadian painter Emily Carr, Heffel’s two-part autumn night sale yesterday (23 November) made $17.2m (with charges; all costs in US {dollars}).
Canada is at present celebrating the centenary of Riopelle’s beginning. A serious survey of the artist is on present on the Nationwide Gallery of Canada (NGC) in Ottawa (till 7 April 2024) and a particular $2 coin (a “toonie”) has been issued that includes a portion of his monumental work L’Hommage à Rosa Luxemburg (1912).
“Tonight’s public sale, coinciding with Riopelle’s a hundredth birthday, marks a momentous event within the artwork world,” mentioned the auctioneer Robert Heffel, who took the podium alongside his brother, David. “The resounding success and report outcomes showcased distinctive artwork, world collector enthusiasm, and a thriving public sale market.”
Seven works by Riopelle had been on provide final evening, together with a bronze sculpture, which in whole generated a sturdy $8.1m (with charges)—nearly half of the full night sale. All this for an artist who as soon as mentioned, “I’ve by no means needed to color thickly—paint tubes are a lot too costly”.
Topping the invoice was Sans titre (Composition #2) (1951) a sizeable palette-knife-and-drip portray on canvas, measuring 127cm by 162cm. It drew bids from across the globe and was lastly hammered down at $3.4m ($4.1m with charges ). That was adopted by Self, a uncommon self portrait, which took in $2.3m ($2.8m with charges), greater than 4 occasions its excessive estimate, prompting Robert Heffel to quip, “that is getting thrilling”.
Riopelle beforehand made a splash at Heffel in 2017, when his portray Vent du nord (1952-53) garnered almost $5.5m (with charges), simply surpassing the pre-sale estimate of a mere $750,000 to $1.1m. That sale is the second-most worthwhile ever made at Heffel, behind solely Lawren Harris’s Mountain Kinds (1926), which shattered Canadian data in 2016 when it bought for simply over $8m.
Borduas additionally had a giant evening in Toronto. His Miniatures empressees (1955) matched its excessive estimate, taking in $880,000 ($1m with charges), although that fell far in need of his Figures schematiques, which bought for $2.6m at a Heffel sale in 2018. One other spotlight of the sale’s first leg was Christopher Pratt’s oil on board portray, titled August 1939, which reached the artist’s established public sale report, of $238,000 ($265,000 with charges)—effectively above its estimate of $128,000 excessive estimate.
The early sale additionally included a pair of Andy Warhol prints that includes the late Queen Elizabeth II and the pop star Mick Jagger, Henry Moore’s sculpture Household Group, a number of works by Jack Bush, and people by Alexander Colville and the ever-popular Jean Paul Lemieux. Nevertheless it was E.J. Hughes who turned heads when his watercolour, Mouth of the Courtenay River, was hammered down at $279,000 ($335,000 with charges), greater than six occasions its excessive estimate.
The sale’s second leg noticed sparks for Emily Carr’s massive oil portray Alert Bay (Indian in Yellow Blanket); works by James Wilson Morrice, A.Y. Jackson and the Group of Seven, Alexander Colville and Cornelius Krieghoff additionally come to the block throughout this portion of the night. Carr’s canvas opened at $643,000 however bidding was hesitant, lastly topping $740,000, earlier than tapping out at $1m million ($1.2m with charges). And Carr’s Forest Inside, an oil on paper on board work, took in $425,000 ($511,250), simply topping its excessive estimate.
