The exhibition Objects of Dependancy: Opium, Empire, and the Chinese language Artwork Commerce at Harvard Artwork Museums (till 14 January 2024) attracts comparisons between the opium disaster within the Nineteenth century and as we speak’s opioid disaster. It highlights the function of Massachusetts retailers within the profitable however illicit opium commerce and scrutinises the cultural and human affect of dependancy. Programming along with the exhibition features a public house for reflection and destigmatisation, in addition to distribution of free Narcan nasal spray—a therapy for stopping deadly opioid overdoses—and coaching clinics for overdose prevention.
Sarah Laursen, the museums’ affiliate curator of Chinese language artwork, says that the exhibition is the results of a deep dive into the artwork, particular collections and historic archives at Harvard and different establishments, in addition to a collaboration with stakeholders together with college students, college, medical and public well being professionals, the group Harvard Faculty Overdose Prevention and Schooling College students and group members.
“It’s useful to make use of the historical past as a lens for the current,” Laursen says, including that aggressive drug industries and the exploitation of weak persons are conditions that repeat all through historical past.
Benefiting from medication commerce
On show are artwork, objects, Buddhist sculptures and murals, jades, bronzes and historic information that present each the person value of dependancy and the huge scale of the opium provide chain. Distinguished Massachusetts service provider households profited from the commerce, together with Hiram Fogg, brother of William Hayes Fogg—for whom Harvard’s Fogg Museum was named. Their places of work could be seen in a Nineteenth-century portray of the Port of Shanghai (by an unidentified artist), a treaty port from the primary Opium Warfare (1839-42).
The human value of the opium commerce is nicely documented. The Qing dynasty was crippled by each wars and a widespread dependancy that claimed an estimated 10% of its inhabitants—round 40 million residents. This destabilisation left many essential heritage websites weak to a rising starvation for unique objects of Chinese language craftsmanship and heritage. The Peabody Essex Museum and Harvard have been among the many earliest establishments to amass such artefacts.
One well-known instance is the looting and destruction of the Previous Summer season Palace in Beijing by Anglo-French forces, by which numerous treasures have been dispersed or destroyed. The location, now a public park of ruins, is a painful reminder of this historical past. “It has change into a really potent image of Western imperialism in China,” Laursen says.
The Mogao Caves, a centuries-old Buddhist web site, additionally bear proof of unchecked cultural treasure looking. Two sections lifted from one of many cave’s murals 100 years in the past by the Harvard professor Langdon Warner are on show within the exhibition. Adjoining to them is a large-scale {photograph} of the unique mural with the areas of injury clearly outlined. The mural sections’ possession stays controversial, and the defacing serves as a educating software in each international locations.
Scale back stigma, save lives
A 3rd and essential component of the exhibition is to acknowledge the opioid disaster as we speak, which triggered an estimated two thirds of the greater than 107,000 overdose deaths within the US final 12 months. A minimum of three million individuals within the nation have in some unspecified time in the future struggled with opioid use.
Harvard’s ties to the dependancy disaster, then and now, are sophisticated. Some works in Objects of Dependancy are from the Harvard Artwork Museums/Arthur M. Sackler Museum assortment. The Sackler identify is synonymous with the opioid disaster and is featured prominently on Harvard Artwork Museums’ partitions. Harvard has been below strain for years to take away the Sackler identify, together with from Prescription Dependancy Intervention Now (Ache), the activist group based by the artist Nan Goldin.
Laursen acknowledges that, for a customer, seeing the identify that they affiliate with dependancy or the loss of life of a cherished one might be traumatising. “I would like individuals to stroll into our house and really feel secure and really feel revered,” she says.
Group coaching and therapeutic
To that finish, Objects of Dependancy was designed as not solely an exhibition but additionally a dialogue with the group to encourage understanding and therapeutic. The programming consists of talks and excursions in addition to roundtable discussions and drama remedy workshops led by the collective 2nd Act.
However maybe essentially the most impactful final result for this exhibition is in creating consciousness of the supply of the opioid-overdose reversing nasal spray Narcan. In collaboration with Cambridge Public Well being Division and Somerville Well being and Human Companies, the museum is internet hosting a number of free Narcan nasal spray distribution and coaching periods, beginning this month.
Danielle McPeak, a prevention and restoration specialist on the Cambridge Public Well being Division, is providing the hour-long, in-person periods to the Harvard Artwork Museums group. “I’m hoping for an excellent turnout,” she says. She explains that the very best factor individuals can do in the event that they witness a possible opioid overdose, after calling emergency companies, is to be ready with a life-saving dose of Narcan nasal spray. Already, Harvard Artwork Museums employees have obtained coaching and been equipped with Narcan.
“We actually wish to create extra of a reciprocal relationship with the group,” Laursen says. “And discovering methods to make use of these public well being methods to assist individuals was all the time a part of the equation.”
Objects of Dependancy: Opium, Empire, and the Chinese language Artwork Commerce, Harvard Artwork Museums, Cambridge, Massachusetts, till 14 January 2024
- by William M. Peaster 